Thursday, October 31, 2013

Not DDLJ

This is the story that’s closest to my heart; that of my parents. Of all the love stories I’ve heard, none compare to this, at least as far as I’m concerned. Maybe I’m just hopelessly in love with my parents. There are cuter stories out there. But I think this one deserves a telling – if nothing else, it might touch your heart, just like it did mine.
So we’ll begin with a brief history of my mum and dad. My mum was – to put it briefly – traditional. She did have a receptionist’s job – something she still is proud of, maybe it was a really awesome job for someone to have in her day, in her position. So she was a receptionist (awesome), but was traditional. Or maybe it would be more correct to say she was innocent. She loved her mum, and spoke with her about everything, up to and including Jaweed, my eventual dad.
And she looked like an angel. No really, not just because she’s my mum, not because she might read this, but because she did, I have a photo to prove it.
And my dad was a stud. He knew karate, so you couldn’t mess with him, and he was a good-looking basket of fruits. He also – how do I put it – he liked good-looking people, especially of the female persuasion and was almost constantly in the company of one. Doesn’t paint him in an awesome light, or maybe it does, depending on how you look at it.
And they met because of their mothers. Now, for the sake of I don’t want to keep saying my mum and my dad throughout this story, I’m going to refer to them as Jaweed and Maleka from here onwards.
So this Maleka person who I have no personal connections with whatsoever’s mum, Sarrah, did a lot of things, one of which was tailoring, and this Jaweed’s mum, Fatema, had asked her to come home and please teach her how to stitch.
Maleka would accompany her mum sometimes, and that’s where it all began. Jaweed saw Maleka and thought to himself, ‘Wow, what a simple yet good-looking girl! I must find an intelligent and acceptable way of getting to know her better with probable intention of marrying her – only with her mum’s permission, of course.’ Ok, what he probably actually thought might have been slightly shorter, but this was what Maleka told me.
So he started looking for intelligent, acceptable ways of getting to know her and found one that was foolproof – she was weak in chemistry (of the academic sort). So he started to teach her.
Now Maleka refuses to admit this, but probably she was also only too happy to let Jaweed teach her chemistry. 
An obvious double entendre later, they both started to like each other. So this Jaweed asked her out.
He said “Let’s go for a movie sometime?”
Maleka didn’t know what to do. She went and asked her mum – I mean, really? Hot guy asks you out, you go and ask your mum? But she did. And luckily for her, Sarrah liked Jaweed too. So she said, “Yes beta, let’s all go.”
So Jaweed went to the theatre they’d arranged to meet up at, looking his grubby best (that was in fashion then) with a flower and everything, to meet the girl he wanted to get to know better in a purely intellectual manner, and saw Maleka walking towards him grinning broadly, happy to see him. And her mum, walking beside her, and her dad and her two brothers and her three sisters, walking like an army of in-laws ready to attack the date with gusto and innocent ignorance of the fact that this was supposed to be a date.
No one told me what happened to the rose – but they do say that Jaweed sat next to Maleka’s brother throughout the movie, true bollywood style.
Jaweed wasn’t one to give up though. He asked her out again, this time making sure he mentioned that family, while welcome, need not be dragged everywhere she went.
Maleka didn’t know what to do. She went and asked her mum. Sarrah said in the next paragraph for emphasis:
“Go, beta, but when you meet him, before you start talking about anything else, ask him first; is this temporary or permanent?”
And that’s exactly what Maleka did.
They met in a park, I think, and she said, as soon as she walked up to him, or he walked up to her, or they walked up to each other, “Jaweed, is this temporary or permanent?” Jaweed says he didn’t reply because he didn’t know how.
They fell in love, erratically and with Sarrah’s permission.
In fact, I probably wouldn’t be all wrong if I said he wooed Sarrah a lot more than Maleka. He would go to their house, and sit with her, and they would talk about only God knows what. And then, if time permitted, he’d meet Maleka.
So it might be true to say her mum fell in love with him more than she did.
But then Jaweed’s dad, Jaffar(ji), had a problem with the marriage. Why? Because Maleka’s family was poorer than Jaweed’s, which was saying something since Jaweed’s family barely managed to make ends meet.
But all the sons were suitably well-educated and Jaffar(ji) had hopes that they would all marry awesome people, maybe richer than themselves. So he held out.
Sarrah, since it wasn’t working out with Jaweed, got Maleka engaged. It doesn’t matter who to, what matters for the sake of poetic justice is that he was rich. Richer than Jaweed, richer than his father, richer than some other people. Actually, he wasn’t just rich when compared to poor people. He was rich by anyone’s standards (except the unfairly rich. Those guys don’t count). So poetic justice was served.
Jaweed may or may not have been devastated by this. No one tells me this part. What they tell me, which I will get to in a while, is what I will get to in a while.  
I’m choosing to assume that Maleka and Jaweed kept in touch, though she had moved to Bombay and he was still here in Chennai.
I know for a fact that she went through some serious stuff in Bombay. This stuff probably played a role in shaping her decision, you know. She and her family have always had a bigger share of problems than it’s fair to give a person. Maybe that’s why she was so emotional. Maybe that, and the probability that she and Jaweed kept in touch and she realised that he still loved her, made her do what she did, which I will come to now.
She broke her engagement. She left everything in a spirit of independence and rebellion and enough-is-enoughness and probably something-in-my-life-must-go-rightness – and came back to Chennai, with, I’m assuming, little means of support (that’s the way it’s been narrated to me).
She came back, and told Jaweed, “Look dude, I’ve come back for you, you’ve got to marry me, you know.” She might have been more emotional than that, that’s just the gist.
And Jaweed did and they lived happily ever after, after some stuff happened first.
He was okay with it, considering, like I said, they’d probably kept in touch, and he’d probably wanted her back, and probably even called her back, knowing the dude in question. Knowing the dude in question, if they were communicating, he would’ve told her, dude I love you, to which she would have replied (now i’ve to do justice to her emotion, so,) “I love you too, jaan” (I tried), to which he would’ve said, (since he’s a reasonable guy), “well if you love me, then you shouldn’t be marrying that guy, you should be marrying me”, to which she would’ve replied, “ahuhuhuhuhuhuh, what choice do I have, who’s going to save me from my fate which has been decreed upon me by the unfair World?” (the first bit is the sound she’ll make when she’s crying), to which he wouldn’t have replied, “oh darling, I’ll take care of you. Just come off, I’ll die for you if I have to. Love is love, you can’t mess with it, and I’ll love you to my dying breath ahuhuhuhuh.” What he would have said would have been, “nonsense. Come off, we’ll manage,” but to her it would have sounded like the first thing. And she, knowing her, would have come off. (People had guts in those days).
She did. And he was okay with it, although he probably did sweat a bit, and think, even for a second, “oh shit.”
And now they had to deal with the dad.
The next part, you could probably borrow from Dilwale Dulhania Le Jayenge.
They considered running away, because facing up to his dad was a little scary. Fatema was fine with it, although she couldn’t be forced to have too much of an opinion, or too much of an influence on what happened later. Who helped were Jaweed’s sister and brother. It wasn’t just Maleka who had an army of brothers and sisters, you know.
Farzana, farzu, for short, and Afsar, Afsar for short, stellar, awesome, forward-thinking, heroic, persuasive people, convinced Jaffar(ji) to let the romantic couple get married and make this love story a happy one. Jaffar(ji) held out for as long as he could, but Maleka’s charm combined with the entire family really liked her combined with he didn’t know if any of his sons would even get married and this was at least one less son he had to worry about, convinced him to let the happy couple be.
So Maleka got married. And Jaweed got married on the same day. And they fought happily ever after.



Yes it’s abrupt, but what did you want? Dilwale Dulhania Le Jayenge?

Monday, October 21, 2013

the grimm stories in short - very, very short actually

1: She worked all day, she worked all night,
She never complained, nor did she wince;
But then one day
Magic came her way
And she went and married her Prince!

2: She walked on land to get her man
Even though she walked with a limp
He married another woman
She found she couldn't kill him
And died and became a nymph

3: Locked up high, singing sweetly
The handsome Prince, did her find
They met and fell in love
The witch pushed them from above

But he found her again, although blind

Cinderella:
She went to the ball
Wearing a blue gown
And danced with the prince till twelve

Sleeping beauty:
She wanted to sew
But the tricky needle
Sent her to sleep forever

Rapunzel:
She let the witch up
Then she let the prince up
And together they defeated the witch

The little mermaid:
She walked for him,
And died for love’s betrayal,
Poor little Air Sprite!

Beauty and the Beast:
It started as a sacrifice
But true love won,
And the Beast became a Prince

or

He was ugly and rich
She was pretty and poor
They fell in love, somehow.

The princess and the frog:
The cheeky little bastard
Got love’s true kiss
And Behold! At least he looked better.

Or

What started as a frog
Love’s true kiss
Turned into a Prince



Thursday, May 9, 2013

Six month old's letter to God


Dear God
Subject: Why would you do this to me?
It started with an urge to move towards the light. I tried, but found my way constricted. I remember wondering why You make these things so small.
So, I popped out – and quickly realised that I didn’t like it. Inside, it was warm and cozy and comfortable. Outside, it was cold and huge and scary and I was being held upside down while someone patted my ass. Random people were screaming incomprehensible gibberish, and that, I’ve come to realise, was just the beginning.
This world is filled with loud, incomprehensible gibberish, and some really funny, abnormally big faces. Well, maybe the funny faces are worth the while, but why would You take a perfectly comfortable individual and throw them out into this mess with no warning? How in blazes are we supposed to adjust? I remember crying – who wouldn’t?
This one’s nice. This face. It feeds me when my stomach does that hungry flip-flop thing, it puts me to sleep – which is one of the nicest things in the world to do – and changes my wet things when they become wet. I like this one. And this, and this. Thank you, God, some nice faces to take Home with me. Am I coming Home soon?
Or maybe we could wait for some time. I know this world has something called a doctor - really, really scary people with big pointy things that they poke into you, but it also has people who call themselves mommy, poppy, daddy, dadu, mamu, popu – then there’s dadu, dadi, dada, chachu, chachi, chacha – so many names for just one person, and so many people. And they wonder why we take so long to talk.
But they’re nice people, overall. They do things for me. Plus there’s some really pretty, colourful things out here. Did you make them? They’re brilliant! You pick them up, and shake them around and they make really cool noise. Such technology! And did You make this hand thing that I have attached to me at all times? With five fingers? You know, I can open them all, and close them all, and they all go separate ways and come back together. Of course, none of them leave the hand thing. I wonder why.
Then there’s the feet things. I wonder if these are attached to me, or not. I don’t see them all time, just sometimes, so maybe they come and go, You know. I try to see how they taste, but the mom, mommy, mother thing keeps pulling them away. She does get annoying sometimes.
God, this world is great! I can get on my hands and legs and roll around and move so that I get closer to my favourite toys – no, not the shaky, noisy things. The other ones. That they use to turn on that thing with the brilliant, moving lights, that thing that makes everything cold, You know. Those are yum. And my mother person and daddy person carry around this thing – I don’t know if You know it – it  makes jingly noises from time to time, and there’s brilliant flashy lights, and then they keep it on the side of their faces and shout incomprehensible gibberish.
If only they would say normal things like “aa” and “baa” and “goo”. I have to teach them how to talk.
But thank You, God, You’ve done a pretty great job. These people are perfectly suited to be my caretakers. Of course, they are a little dim, but with some training, they’ll learn. I do what you told me to, and keep encouraging them with a smile.

Saturday, March 16, 2013

Riddle

You know, Tom, Dick and Harry? I wonder if anyone gives their son that name (the middle one) anymore. 
In that vein...
So there's this mum who names her child (that middle thing). So then she sends her child to school. He's embarrassed with his name, so every time someone asks him what his name is, he says, "Eh-Hen".
Every day, when she comes to pick up the kid, she sees him playing in the playground with the other children, and she goes, "Hey, (you know, the middle one), come on, let's go!" 
And all the children in the playground would be like, "Wow, such a seriously cool mum to give her son such a dawg of a nickname!"
So then one day they asked her, "So why do you call him a (you know), anyway?"
So the question is, when they found out that his name was (you better know by now), who was more embarrassed: the boy, the mum, or the kids from the playground?   

Tuesday, March 5, 2013

Clove - cooks in love

Scene 1:

- Gar! Lic at that rack!
- Yes, my rack's loaded - with all kinds of vegetables!
- Wanna cook something up?
- Wine not? (wink wink)

Scene 2:

- Hello, my little bell pepper!
- Don't butter me up!
- Hey, what's the mutter with you?
- I know you're up to something fishy! Who's the other chick?
- There's no one, cherry tomato! It's always bean you!
- Don't lie, I saw the saucy messages she sent you, the tart!
- Chilli, babe! I would never be meen to you!
- All I'm saying is don't stir up trouble, that'll really peas me off.
- I'm sorry, potato pie, but you know, I clove you!
- Are you just raisin my hopes?
- No, honey! When I look at you, I feel just like Christopher Kulambus did when he saw the United Plates!
- Ok, now that's just cheesy! (laughs)

Scene 3: (under adult souperfishion)

- I'm going to cashew your cheque now, darling.
- Oh, you're straw-berry hot!
- You want me to stoke your stove?
- Oh yes, but gingerly.
(and the rest is left up to imagination)